Orestes (Euripides): Aftermath at Argos
Catalogue ID: 04-trojan-cycle/062-orestes-euripides-aftermath
Cycle: Trojan — Nostoi / Oresteia aftermath
Version line: Attic tragic — Euripides *Orestes* (post-matricide crisis before any final acquittal staging)
Sources: Euripides, *Orestes*; Apollodorus, *Epitome* 6.24–25 (general revenge outline; not this plot’s invention); scholia on Euripides
Source file: /workspace/greek-myth-catalogue/04-trojan-cycle/062-orestes-euripides-aftermath.md
Characters
- Chrysothemis — sister; co-condemned; given to Pylades
- Erinyes — seen in Orestes’ delirium
- Hermione — daughter of Menelaus and Helen; hostage; betrothed to Orestes
- Orestes — matricide; mad; condemned; hostage-taker; spared by Apollo’s settlement
- People of Crisa — *deus ex machina*; arranges marriages and Helen’s fate
- Phrygian slave — messenger of the attack on Helen
- Pylades — friend; co-conspirator; husband of Electra (Apollo’s decree)
- Thyestes — returned king; ineffective protector
- Tyndareus — father of Clytemnestra; prosecutor for stoning
Places
- Mycenae — palace; assembly; near-destruction
- Rhamnus — future trial named by Apollo (not staged here)
- Shore — Menelaus’s return point (backstory)
Themes
Narrative
Six days after killing Clytemnestra and Aegisthus, Orestes lies delirious at Argos, tormented by visions of the Erinyes, nursed by Electra. The city prepares to judge the matricides. Menelaus arrives from Troy with Helen; he proves a hollow ally, unwilling to risk Tyndareus’s anger. Tyndareus demands death by stoning. The Argive assembly condemns Orestes and Electra; Pylades, loyal to the point of sharing their sentence, joins them.
In desperation the three plot to kill Helen and seize Hermione as hostage to force Menelaus’s help. A Phrygian slave’s comic-tragic report describes the attack: Helen vanishes (rescued by Apollo, in the play’s turn), Hermione is taken. Menelaus storms the palace; Orestes threatens to kill Hermione and burn the house. Apollo appears on high, restrains the violence, declares that Helen shall become a starry savior of sailors, that Orestes must wander, stand trial at the Areopagus, marry Hermione, and that Pylades shall wed Electra—tying the bloody aftermath to cult and dynastic endings.
Euripides’ *Orestes* thus stages political cynicism, friendship, and a last-minute divine settlement rather than Aeschylus’s solemn founding of the Areopagus courtroom (already catalogued in entry 058). It belongs after the revenge plays and beside *IT* as an alternative tragic “what next” for the Atreid survivors.