Procne, Philomela, and Tereus
Catalogue ID: 05-local-and-lesser/001-procne-philomela-tereus-apollodorus
Cycle: Local and lesser — Attic / Thracian metamorphosis
Version line: Apollodorean (Tereus; tongue; Itys; bird metamorphoses); tragic (*Tereus* of Sophocles, lost)
Sources: Apollodorus, *Library* 3.14.8; Pausanias 1.5.4, 1.41.8–9; Ovid, *Metamorphoses* 6.424–674 is **Roman transmission** of the same Greek plot—richest scenic detail but labeled Roman; Sophocles *Tereus* fragments
Source file: /workspace/greek-myth-catalogue/05-local-and-lesser/001-procne-philomela-tereus-apollodorus.md
Characters
- Itys — son of Procne and Tereus; killed and served to his father
- Pandion — king of Athens; father of Procne and Philomela
- Philomela — sister; raped and muted; weaves the truth; swallow (common strand)
- Procne — wife of Tereus; mother of Itys; nightingale (common strand)
- Tereus — Thracian (or Daulian) king; rapist; eats Itys; hoopoe
Places
- Panopeus — Tereus’s realm; scene of the crime and revenge (tragic geography varies)
- Troezen — home of Pandion’s daughters
Themes
Narrative
Pandion, king of Athens, had two daughters, Procne and Philomela. He gave Procne in marriage to Tereus, a Thracian king (often of Daulis in Phocis in tragic geography), in return for wartime aid. Procne bore a son, Itys. Longing for her sister, Procne asked Tereus to fetch Philomela from Athens.
Tereus, seized with desire for Philomela, raped her (in a lonely place or in Thrace), cut out her tongue so she could not accuse him, and hid her, telling Procne she was dead. Philomela wove her story into a peplos (or tapestry) and sent it to Procne. Procne read the weave, found her sister, and the two took revenge: they killed Itys, cooked him, and served him to Tereus. When Tereus discovered what he had eaten and pursued the sisters with a weapon, the gods changed them all into birds: typically Procne into a nightingale (forever crying for Itys), Philomela into a swallow, and Tereus into a hoopoe (or hawk). Apollodorus’s assignments and Pausanias’s local notices preserve the Greek core; Ovid’s long domestic and woodland scenes are later Roman narrative art.
The myth is among the darkest Attic family tales: violation, silenced speech restored by craft, cannibal revenge, and avian metamorphosis.